Live?
DEL LIENZO EN BLANCO AL PLAYBACK. MODELOS DE IMPROVISACIÓN LIBRE EN EL ARTE TECNOLÓGICO
https://www.ull.es/revistas/index.php/artes/article/view/1862
VR Soundscape
A soundwalk in virtual space. The artifacts work as sound emitters. A screen holds virtual projections.
Unity3D v4. (some years ago…)
Voicescapes series
My friend Anki Toner made some amazing physical copies of the Voicescapes albums for his live performances. Perfect for mashups and turntabilism.
https://archive.org/details/Petroglyph600JaimeMunarriz-Voicescapes001
https://petroglyphmusic.bandcamp.com/album/619-jaime-munarriz-voicescapes-2-i-hear-voices
https://jaimemunarriz.bandcamp.com/releases dark bot society
InSonora 2020: eraserEars / orejasBorradoras
https://in-sonora.org/festival/in-sonora-11/
CANCELADO IN-SONORA 11
21.03.20 CASA BANCHEL, 14-16h
Orejas Borradoras – Eraser Ears [SP]
20h
Alexis Langevin-Tétrault [CA] – Bromo [SP]
F For Format
In-Sonora : eraserEars / orejasBorradoras
21.03.20 CASA BANCHEL, 12-16h Orejas Borradoras – Eraser Ears [SP] https://in-sonora.org/festival/in-sonora-11/
Cloudwatchers – El Escorial
Cloudwatchers Live at El Escorial
Cursos de Verano de la Universidad Complutense
Cloudwatchers
CloudWatchers is an experimental electronic music group, focused on musical improvisation and formed by Andrés Alonso, Iván Cebrián, Coco Moya and Jaime Munárriz.
Their work process consists of improvisation sessions in which they start from a small and completely open idea, from which they navigate through some of the possibilities that open up before their perception.
https://unexplainedsoundsgroup.bandcamp.com/album/cloudwatchers
Eraser Ears: Live at Vista
Orejas Borradoras / Eraser Ears – first album
https://weareallghosts.bandcamp.com/album/live-at-vista-waag-rel118
Voicescapes
voicescapes #001
https://petroglyphmusic.bandcamp.com/album/600-jaime-munarriz-voicescapes-001
voicescapes #002
https://petroglyphmusic.bandcamp.com/album/619-jaime-munarriz-voicescapes-2-i-hear-voices
This albums involves the recovery of human voice, with random poetry, and voice generators.
I used to write the lirycs for my band in the punk/new wave/after punk era.
They were strange lyrics, playing with language, surrealism,
associations, aliterations… I was even presented as a “young poet” at an official venue, around 1983.
I tried to follow different paths, as my father is a well known poet, and I preferred to open my own fields.
I kept writing in my 80s & 90s projects, until I got into electronic music, instrumental electronic music with no voice.
I’ve been working on this abstract electronic music since 1999, and I was missing the voice, words and their complex building of worlds and stories.
I’ve been trying to recover voice and text for my music for 5 years, and it’s been a difficult task.
Voice is so powerful, so vivid and full of content it can shadow any other music material.
Instead of just writing the lyrics and singing, or looking for a good singer, I started research on every language generative
process I could find, writing my own code in Processing and also trying some other tools.
Random text generators, remixing found texts, cutout and collage, all this intertwined with my own writing.
For the voices I tried text to speech software, real voice recordings and an interesting and subtle amount of processing.
I needed evocative voices that could melt with the electronic landscape.
All this journey has produced a varied amount of works, that I couldn’t just fit into an album.
So the project gives birth as the “Voicescapes” project, with Dr. One Voice as my writing alter ego.
This album, “Splendid tales of life and death” is the first in the series.
They will share a different aesthetics from my usual albums, inspired by the first jazz album covers
and the first computer art from the pioneers.
It wasn’t easy to find a place where this material would fit. After a long research, I resorted to
Petroglyph Music, as they had “spoken voice” in their manifesto, and some published albums that I
found could relate to this recordings. The mix of experimental genres, good ideas
and a high musical quality in all it’s releases made it the perfect place to be.
I want to thank Jørgensen & Martinsen for giving shelter to this project.
Voice will return and play inside the electronic landscapes.
In Love With The Moon: Klaus Schulze Birthday Tribute
https://auralfilms.bandcamp.com/album/in-love-with-the-moon-klaus-schulze-birthday-tribute
Aural Films is happy to present a special birthday tribute to Klaus Schulze who turns 71 today, August 4, 2018. Listen to 20 tracks by various artists from around the world who have been inspired by Klaus’s work since the Mid-1970s.
… Jaime Munarriz – KSchultze70s70
For anyone who wants to understand what the point of synthesizer/electronic music is (it is not about taking Viagra and Ecstasy whilst having your brain mashed by some toneless Thud-Thud shit), I direct you to this track by my friend from Facebook Jaime Munárriz. Note the otherwordly quality of the sound layering and the tones of Moogs, Mellotrons and good Lowpass filtering fed through stereo delay effects. This is music of the cerebral landscape-mindscape-dreamscape tonal variety perfectly encapsulated in just over 4 minutes.
Ian Craig
Studio 4632 Ambient Sampler 2018 – SciFi favorites
https://studio4632.bandcamp.com/album/studio-4632-ambient-sampler-2018
This sampler, our first “themed” project, has pulled in more of the amazing ambient music floating about in the aether. The theme of this project was SCI-FI; namely everyone’s favorite sci-fi; be it a movie, book, tv series etc. The idea? To compose a piece of ambient music, up to 25 minutes long, inspired by that favorite sci-fi.
… Jaime Munarriz – Harvest Molecular Cloud 05:40
Caramel Man Hideout
https://completelygonerecordings.bandcamp.com/album/caramel-man-hideout
Plastic Trumpet, Engineer (on “Stroppy Bellicose”)
Into the Rift vol. 3 From Genial Times
https://cerebral.audio/product/into-the-rift-volume-three-from-genial-times/
Jaime Munarriz – The Bike Under The Willow Tree
Dialogue 1 & 2 by Martin Neuhold & Friends
Submarine Broadcasting Company
Martin Neuhold & Jaime Munarriz – Silent Dream Reflections (Silent Dreaming) 6′ 29″
Martin Neuhold & Jaime Munarriz – Comfort Zone Reflections (Comfort Zone) 6′ 02″
https://submarinebroadcastingco.bandcamp.com/album/dialogue-1
https://submarinebroadcastingco.bandcamp.com/album/dialogue-2
Double Blindfold Project Volume One
Cerebral Audio
The Double Blindfold project was born from a question: what if a bunch of artists remixed each other, but (a) they didn’t know who’s work they were remixing, and (b) they hadn’t heard the original track before? And from there the idea grew into this release.
Summer watch the backdoor- 5′ 29″
https://cerebral.audio/product/double-blindfold-project-volume-one/
Live at Medialab Prado
#edcd18: Quinto encuentro de diseño y cultura digital
1 y 2 de junio
Jaime Munárriz llevará a cabo una performance audiovisual bajo el título ‘Voicescapes’.
Voicescapes es un álbum de Jaime Munárriz en el que coexisten la voz humana, la poesía y los generadores de voz. El artista ha trabajado en él desde 1999, investigando sobre los lenguajes generativos, escribiendo su propio código en Processing y probando herramintas como generadores de texto aleatorios.
Sistema : Puredata/DMX+Isadora+Live
https://www.medialab-prado.es/actividades/edcd18-quinto-encuentro-de-diseno-y-cultura-digital
http://edcd.es/programacion-dias/viernes-1-de-junio/
Campos Magnéticos 3 – Live
Espacio Tangente , Burgos.
Andrés Alonso, Coco Moya, Bronson Fernández, Jaime Munárriz,
26 de mayo 2018
Orejas Borradoras – Performance sonora
Espacio Vista / Art|Banchel
ARTISTAS INVITADOS
Richi F. Martin, David Llorente, Tino Varela, Jaime Munárriz, Miguel Oliveros
4 de mayo de 2018
No Port Of Call: Songs From The Flying Dutchman
Argali Records: a collection of experimental music
5.Jaime Munarriz – Ghost Vessel 11:32
https://argalirecordsnetlabel.bandcamp.com/album/no-port-of-call
