Archive for the ‘sonic art’ Category
In-Sonora : eraserEars / orejasBorradoras
21.03.20 CASA BANCHEL, 12-16h Orejas Borradoras – Eraser Ears [SP] https://in-sonora.org/festival/in-sonora-11/
Live at Medialab Prado
#edcd18: Quinto encuentro de diseño y cultura digital
1 y 2 de junio
Jaime Munárriz llevará a cabo una performance audiovisual bajo el título ‘Voicescapes’.
Voicescapes es un álbum de Jaime Munárriz en el que coexisten la voz humana, la poesía y los generadores de voz. El artista ha trabajado en él desde 1999, investigando sobre los lenguajes generativos, escribiendo su propio código en Processing y probando herramintas como generadores de texto aleatorios.
Sistema : Puredata/DMX+Isadora+Live
https://www.medialab-prado.es/actividades/edcd18-quinto-encuentro-de-diseno-y-cultura-digital
http://edcd.es/programacion-dias/viernes-1-de-junio/
Orejas Borradoras – Performance sonora
Espacio Vista / Art|Banchel
ARTISTAS INVITADOS
Richi F. Martin, David Llorente, Tino Varela, Jaime Munárriz, Miguel Oliveros
4 de mayo de 2018
University of Aveiro, Department of Communication and Art (DeCA)
The International Conference Electroacoustic Winds 2017: SYNCHRESIS – Audio Vision Tales is organized by the Center of Electroacoustic Research (CIME), the Institute for Ethnomusicology – Research Center for Music and Dance (INET-MD), Research Institute in Design, Media and Culture (ID+) and DigiMedia – Digital Media and Interaction (CIC.Digital).
This conference seeks to establish bridges between Music Creation, Design & Soundscapes and New Media.
The eaw2017 SYNCHRESIS – Audio Vision Tales conference will focus on the relationship between sound and image, two different languages within the multimedia art form. The technological tools to improve this relationship are the main focus of the proposed symposium; dialogical perspectives will be given center stage relevance and participants will be confronted with both technical-linguistic and aesthetic points of view, but also discussions on how technology is enabling these two mediums to merge, creating tools for manipulating and enhancing not only the artist’s creativity but also the audience’s immersion.
This audio-vision relationship has become a research focus for different authors in recent decades. However, in this field, as in others within the digital humanities realm, new assumptions and theories are created every time technology overcomes its constraints and presents a new paradigm.
Design and soundscapes aims to discuss and mirror interactions between and features of design, sound, silence and the potential to perceive space, place and time. Intending to enlarge the scope of the debate, Design and Soundscapes invites researchers, practitioners and performers to present theoretical frameworks and/or empirical studies that address these topics.
Gravitas / Touch
1. a frequency crescendo in 11 movements 27′ 34″
Heitor Alvelos, digital frequencies
Anselmo Canha, bass, field recordings
Anabela Duarte, treated voice
José Maria Lopes, guitar
Jaime Munárriz, guitar, trumpet, electronics
Jono Podmore, theremin
André Rocha, arduino-activated lemon tree (concert)
“Gravitas” is a studio re-construction and re-consideration of a sound performance that took place at the futureplaces medialab on October 24, 2015, in Porto, Portugal.
Woven and edited by Heitor Alvelos, Oporto, August – September 2016
Mastered by Jono Podmore, Köln, September 2016
The words that bookend the piece belong to Bernadette Martou (1962-2015)
