Archive for the ‘visual /sonic art’ Category
VR Soundwalk – La Cupole Soundgarden / Klanggarten Kuppel
Metaverse – Ars Electronica Festival 2020
Ars Electronica: La Cupole Soundgarden / Klanggarten Kuppel
A soundwalk in a closed dome, old speakers emit sound textures, soundscapes and fragments of my album compositions. Black cubes, an homage to the box with the sound of its own making, and some enigmatic spheres complete the sound environment. A place meant for slow listening and curious appreciation of the sonic material, choosing your own spots, turning your head to get the right balance.
Live?
DEL LIENZO EN BLANCO AL PLAYBACK. MODELOS DE IMPROVISACIÓN LIBRE EN EL ARTE TECNOLÓGICO
https://www.ull.es/revistas/index.php/artes/article/view/1862
VR Soundscape
A soundwalk in virtual space. The artifacts work as sound emitters. A screen holds virtual projections.
Unity3D v4. (some years ago…)
In-Sonora : eraserEars / orejasBorradoras
21.03.20 CASA BANCHEL, 12-16h Orejas Borradoras – Eraser Ears [SP] https://in-sonora.org/festival/in-sonora-11/
Live at Medialab Prado
#edcd18: Quinto encuentro de diseño y cultura digital
1 y 2 de junio
Jaime Munárriz llevará a cabo una performance audiovisual bajo el título ‘Voicescapes’.
Voicescapes es un álbum de Jaime Munárriz en el que coexisten la voz humana, la poesía y los generadores de voz. El artista ha trabajado en él desde 1999, investigando sobre los lenguajes generativos, escribiendo su propio código en Processing y probando herramintas como generadores de texto aleatorios.
Sistema : Puredata/DMX+Isadora+Live
https://www.medialab-prado.es/actividades/edcd18-quinto-encuentro-de-diseno-y-cultura-digital
http://edcd.es/programacion-dias/viernes-1-de-junio/
pulsers 17 : microsequencers
Pulsers: microsequencers interacting in a force field, controlled as a rhythm instrument. They are born free, but get enslaved to other’s tempi. Active and inactive responding to triggers. Alife, connectivity, polyrhytms and texture. Synth and processed guitar soundscape. Code: Processing. (version updated after the Aveiro EAW 2017 conference) I’ve decided to create video pieces with my Processing sketcher. This is the first in a series
University of Aveiro, Department of Communication and Art (DeCA)
The International Conference Electroacoustic Winds 2017: SYNCHRESIS – Audio Vision Tales is organized by the Center of Electroacoustic Research (CIME), the Institute for Ethnomusicology – Research Center for Music and Dance (INET-MD), Research Institute in Design, Media and Culture (ID+) and DigiMedia – Digital Media and Interaction (CIC.Digital).
This conference seeks to establish bridges between Music Creation, Design & Soundscapes and New Media.
The eaw2017 SYNCHRESIS – Audio Vision Tales conference will focus on the relationship between sound and image, two different languages within the multimedia art form. The technological tools to improve this relationship are the main focus of the proposed symposium; dialogical perspectives will be given center stage relevance and participants will be confronted with both technical-linguistic and aesthetic points of view, but also discussions on how technology is enabling these two mediums to merge, creating tools for manipulating and enhancing not only the artist’s creativity but also the audience’s immersion.
This audio-vision relationship has become a research focus for different authors in recent decades. However, in this field, as in others within the digital humanities realm, new assumptions and theories are created every time technology overcomes its constraints and presents a new paradigm.
Design and soundscapes aims to discuss and mirror interactions between and features of design, sound, silence and the potential to perceive space, place and time. Intending to enlarge the scope of the debate, Design and Soundscapes invites researchers, practitioners and performers to present theoretical frameworks and/or empirical studies that address these topics.
Encuentros Sonoros BBAA
Encuentros Sonoros Bellas Artes, comisariados por Jaime Munárriz, Miguel Álvarez Fernández , Víctor Aguado, Coco Moya e Iván Cebrián.
música experimental y arte sonoro
futureplaces 2014
Audiovisual concert
Opening concert
at Passos Manuel
+ post-lecture at Universidade do Porto
Puls-2
Emergent rythms. Conexions activate and deactivate cells.Sync messages. Inner microsequencers. Evolutive system.
[ Processing + minim ]
http://www.avantspace.org/applets/puls2/puls2.html
https://www.youtube.com/watch?v=rUsx0w4AZfU&feature=youtu.be
intelligent ambient music compilation
The first compilation by Jack Hertz’s IAM group.
http://auralfilms.bandcamp.com/album/prehistoric-tar-pit-music
Multi Output Sound
I managed to get working a 4 way sound setup with a laptop’s internal sound card and a really cheap usb external stereo card. The magic lies in Asio4all driver, it is able to join several sound cards into a combined virtual device with low latency.Thanks to Isabel Soler, who bought a Speed link. Vigo USB Saund Card
LGRU Bergen
Libre Graphics Research Unit – Meeting at Bergen (Norway)
…the Libre Graphics Research Unit, a collaboration between Medialab Prado (Madrid), Worm (Rotterdam), Piksel (Bergen) and Constant. actively engaged in Free/Libre and Open Source Software and Free Culture…
representing (myself) Medialab Prado (Madrid), together with Chris Sugrue!
a big honor and a pleasure.
The meeting was titled Piksels and Lines and had “a particular focus on improvements, interoperability between and fringe use of F/LOSS graphic bitmap and vector software, as well as generative software used in performative contexts.”
I could talk actively with artists, designers and coders. The best people around.
The last day we organized an amazing audiovisual performance, a circular network were FLOSS programs were hacked to send their actions on the network, so the data could then be visulized and sonified. Each participant worked really hard on it’s part, and the whole emerged with amazing strength. Transdisciplinary collaborative work at it’s best.
I built a PureData patch that could open the bitmaps that were produced and generate sound from their RGB values. A spektral delay was added in order to get a better spatial effect.
http://www.piksel.no/pulse/lgru
tech info thanks to Jon Nordby: http://www.jonnor.com/2012/06/piksels-and-lines-libre-graphics-research-unit-seminar-in-bergen/
New Aesthetics
Some links to follow the discussion on James Bridle’s New Aesthetics and replicas:
Hi! this is the old-new-new-aesthetics links:
James Bridle’s original Tumblr (2012…):
http://new-aesthetic.tumblr.com/
Bridle’s original, phlegmatic blog post
http://booktwo.org/notebook/sxaesthetic/
Bruce Sterling:
http://www.wired.com/beyond_the_beyond/2012/04/an-essay-on-the-new-aesthetic/
Responses:
http://www.thecreatorsproject.com/blog/in-response-to-bruce-sterlings-essay-on-the-new-aesthetic
http://www.theatlantic.com/technology/archive/2012/04/the-new-aesthetic-needs-to-get-weirder/255838/
book:
http://www.v2.nl/publishing/new-aesthetic-new-anxieties
2015:
http://www.metamodernism.com/2012/07/02/the-new-aesthetics-speculative-promise/
Artropod Studio (beta)
Experiment with artropod’s morphology: a pond with articulated creatures that you can alter, cross and mutate.
Pre- version of the piece exhibited at “C arte C”, Madrid.
http://www.avantspace.org/applets/artrop/applet/index.html
created with Processing
Sonic Sculpture / on David Tudor’s Rain Forest
Sonic Sculpture.
Project developed with Jorge Rodriguez Verdullas.
Designed for Piezo installation and performance, based on David Tudor’s “Rain Forest” series.
Industrial city landscape, urban mayhem.
Iron’s work by Jorge Rodríguez Verdullas.
Homage to Tinguely, Moholy Nagy and Jesús Rafael Soto.
Work in progress.
Nihilífono
Designed and built for In-Sonora 2010- SpiralGarden / SpiralHell.
nihilifono - piezoacoustic instrument
New noisy machines
I’ve been building some new small synths for my coming live acts at In-Sonora 2010.
Thanks to Nicolas Collins, I’ve rediscovered the pleasures of dirty soldering electronics, and messing with his designs on the prototype board I’ve get two strange machines, perfect for live improvisation.
Drones, blips and beeps, and some magic flashlight waving.
LÚMEN_EX Digital Art Awards
Flux/Pulse/Nns
Selected piece at the LÚMEN_EX Digital Art Awards.
University of Extremadura
Artificial lifeforms react on an evolving environment, altered by a tangible interface.
Processing / Trackmate / PureData / OSC
PdCon09 – SaoPaulo
On summer 2009, at Sao Paulo, the 3rd PureData Convention.
Article: “On Sonic / Visual Form”.
Performance: “Suite #02 ‘Mapslids’ [Condensed]”
Article avalible: “On Sonic / Visual Form“
Live at Handmade Music by Peter Kirn – Createdigitalmusic.com
“Pulsantes” was performed live by Peter Kirn, from Createdigitalmusic.com at the Handmade Music show
on March 19, at 3rd Ward, Brooklin, New York.
He managed to run both the Processing sketches and their corresponding PureData patches, connected by OSC, with success!
nice tele-acting, I don’t have a robot yet, but I can play live at New York without travelling – the future, for sure.
Uru / Arg ’08
uru / arg 08 gig
Mini southamerican gig.
Performances & workshops.
Montevideo, Córdoba, Buenos Aires.
Suite #2 – “Synch|dual”.
Visuals: PureData/Gem
live at Montevideo
the nice Theater at Córdoba – the nice 70’s mixer!
poster - theater - live - workshop - ...
Kronostruktur [#3]
Installation at In-Sonora Festival, Instituto Europeo de Diseño. Madrid, october 2008.
Visual & electroacustic composition for one screen and six weird sculpture speakers.
Étude on form and spatial movement.
Pulsantes (Alphas)
An artificial life environment that generates rythms and sounds. Agents move freely, guided by their own will, adapting to the medium forces. They send messages to their friends, that get get frozen when receiving this messages, and then awaken. You can ‘play live’ with this creatures, altering the way they react to outer forces, running away, freezing or wandering. It is planned to add wind and realtime control on the forces with midi knobs, and some regeneration of inner rythms.
PureData receives ‘pulses’ generated by the internal micro-sequencers of each ‘pulsante’, triggering sounds. The background forces modulate the sonic ambient.
All it’s just Alpha developing, and I mixed several different versions of the work in progress, from the first little bugs to the more complex actual environment.
I just saw Tiction on Create Digital Music, and thought I should share this early version.
